Monday, July 3, 2017

Michael Dougan


Michael Dougan (born 1958?) has always been one of my favorite alternative cartoonists and yet he's one I hardly ever hear anybody talking about.  He was very prolific in both the 1980's and 1990's contributing to the seminal anthologies of the time such as Weirdo, Drawn & Quarterly and later Zero Zero (Fantagraphics).  I always found his short stories to be the best thing about these publications.  His storytelling is sometimes autobiographical and sometimes straight-up fiction - but it is always concerned with people - and usually down on their luck people at that.  There are two collections of Dougan's work that were published.  One is called East Texas from 1988.  The other is the absolutely essential I Can't Tell You Anything, published by Penguin books in 1993 (maybe Penguin's first serious foray into the Graphic Novel realm).  This book collects some of Dougan's very best short stories and really shows his range.  

Dougan is a cartoonist who could've broken into the alternative mainstream, if there is such a thing, and if the world was at all fair (think Peter Bagge, Lynda Barry or Matt Groening).  Dougan was a regular contributor to Seattle's The Stranger during the "grunge" era and he also was a regular contributor to the late SPY magazine.  He also had some spots in Entertainment Weekly and Esquire!  A pilot for an animated series, created by Dougan, was produced by MTV studios and shown late night on Liguid Television.  It was called The Dagwoods and can be viewed on YouTube here.

Unfortunately, any sort of fame seemed to have eluded Dougan and this puzzles me to no end.  I encourage you to seek out his books and find out what you have been missing.










Saturday, July 1, 2017

Strum and Drang by Joel Orff

Joel Orff did various mini-comics including two issues of Cole Slaw and contributed to some small press publications in the late 1980s and throughout the 1990s such as Marvelous Martha's Comics and Stories.  He also created the comic strip Great Moments in Rock 'n' Roll and published two absolutely amazing stand alone graphic novel from Alternative Comics.  His short pieces have a real off-the-cuff style that perfectly illustrates the anecdotal stories he tells.  It's a very personal cartooning style, the panels are without sharp borders and the text is never strictly ruled and the characters never drawn repetitively.  For me, this is part of what make's Joel Orff's comics special.  They feel as though they were produced by a real individual which creates an intimate reading experience - as if you were being told these stories in a whisper from a dear friend and hanging on to every word.  Joel is also a master of atmosphere.  His stories often take place at night and his environments, while always set in the real world, take on a dreamy, labyrinth like appearance that begs the reader to further explore Joel's world.

Strum and Drang, #1 from 1993 is Joel's earliest comic that is still available.  I've seen some earlier comics by Joel that are wordless and take you through remembered landscapes - and he would continue those journeys in his later graphic novels, combining it with his ability to tell memorable narratives.  The first issue of Strum and Drang is a collection of short stories written by Joel and Mike Haeg (creator of Rump magazine - an early collection of Rump was published by John Porcellino via Spit and a Half in the late 1990s).  The story by Mike Haeg is probably the most memorable in this collection.  It's the true story of when Mike is working a humiliating job at a shopping mall and becomes infatuated when he sees a two-headed girl.  Other stories are more atmospheric, especially the one detailing a remembered trip to San Francisco.  There is some rich variety here though: the tale of a cab driver, a nursing home, and a criminal clown scare.

The second (not numbered) issue of Strum and Drang is a collection of Orff's excellent "Great Moments in Rock 'N" Roll comic strips and this was published ten years later by Alternative Comics in 2003.

If you like human, down to earth stories about real people and are fond of folksy art styles that don't seem to rely on any of the traditional highly stylized tropes, I highly recommend all of Joel's work.  There is something timeless about his books, because I'm at a loss when trying to compare him to other artists, and I keep on revisiting them.
You can find his website here and most of his comics can still be purchased from Alternative Comics.

Joel is not a cartoonist who you here about often, but he really deserves to be talked about more because his books are really that great.